No prep? No prob! 😄😄

There are teachers who carefully plan every detail of a lesson, from circling questions to the story plot. Some people even write Movietalk scripts!

I’m more like this:

Since beer, climbing, reading, my other classes (Social Justice and English), friends, ladies, bicycles, Go, writing, family and other fun things take up so much time (and I’m lazy and disorganised), I generally don’t plan much in Spanish beyond thinking uhh we should probably work on quiere impresionar and is there a Youtube video where a dog goes shopping? (yes there is).

Luckily for people like me we have things like Slavic and Hargaden’s OWIs, untargeted stories etc. And thanks to a combination of my laziness and the epic powers of caffeine, we have some zero prep activities. These are easy on the teacher, they let us deliver loads of comprehensible input, and they personalise the class: we link kids to vocab.

Most importantly, these activities build community through tasks. Community– sharing a purpose, and feeling good about oneself and others in the group– is crucial for everyone. Language-class tasks, as Bill VanPatten notes, have two properties:

1. They use but do not focus on the language.

2. They have a meaningful, non-linguistic and communicative purpose (to entertain, to sort, to rank, to persuade, etc).

For Class Team, Funky Venn, Comic Panel and Partner Diagram, we do the following:

1. We solicit details from students.
2. We draw– quickly— on the board, overhead or doc camera.
3. We write key vocab.
4.  We ask and answer questions, circling style, but don’t beat things to death.
5. We don’t introduce too much new vocab. 5-10 items for a 30-min session is lots.

The Class Team (or whatever)

For this, all we do is make some ridiculous drawings of various kids and group them into a team. Here, we made two soccer teams: No Lo Sé and La Mezcla. The players had superpowers. Saveena’s was that she could text at the same time as she played. El Chongo has only one leg but luckily has wings.

Q&A here would be things like who has five legs? That’s right, Jasraj has five legs. Whose superpower is being invisible?  No, not Chongo: Hamza Dos is invisible! We would also personalise this by asking students these questions: Ravneet, do you have five legs, or three, or two? Sukhman, are you invisible? etc.

The Funky Venn

One day we were talking about dogs (I talk about dogs constantly), and I asked the class what do dogs like to do? and they said dogs eat, sleep and play, and then El Chongo said sounds like me! 😜

So I made a Venn diagram comparing El Chongo with dogs. Here it is:

Both sleep, run, play and eat.  But El Chongo uses the bathroom while dogs use the ground, and dogs don’t comb their hair, while El Chongo (Mexican Spanish for “man bun”) does, etc.

My student Manjot (who goes by Muffin Princess in Spanish class) said I’m like cats, so we drew a Venn for her.

The Partner Diagram

My beginner student Khushi, taking a cue from her Spanish teacher, said yo tengo seis novios (“I have six boyfriends”). So of course we had to draw and discuss them.  For this, we first drew Khushi, taking some liberties (she is hideous, has three eyes, and two noses). Then we added five boyfriends and one girlfriend. Then we invented weird characteristics for each (Hairie has no mouth; Alberto has short legs, etc).

The Q&A here involves tiene, body parts, and the relationships between them.  So Adam is scared of Khushi (even though they are dating) and Atam is scared of Alberto.

The Personal Story (with picture)

This was inspired by Beniko Mason’s Story Listening method, which is “pure C.I.”– no “activities” after input. Basically, you tell a short story about yourself (or somebody famous), and you use 1-3 drawings to illustrate

Here, we have vocab on the left and my Grade 8 math teacher, Mr McKay, on the left.  I started by describing 13 year-old me, and school, and math class.  Then I drew Mr McKay. Then I told how he both looooooved coffee and cigars and was blissfully unaware of the existence of dental hygiene.  As a result, we didn’t ask him questions– he could kill bacteria from ten feet away with that dragon’s breath– so as a result I got a C minus.

Here, we just tell a one-scene story and we do Q&A about both the story and the pictures.

(By the way the art was inspired by Stephen Krashen’s famous C.I. demo.)

Comic Panel

Here, we draw a one-panel comic and include basic dialogue. Khushi said I’m getting 90% or more in Spanish and we argued a bit and I drew this. Note that my art is so staggeringly bad that I had to label Khushi and me.

Again we will do Q&A here.  We can also recycle by erasing dialogue and adding other words.

When I finished with these, I took these photos.  They will be added to the class soap opera (pasted into an MS-Word document) and printed.

Una Encuesta (a survey)

This is an old idea from textbooks. We take any subject– here, how kids feel about classes– and survey them. So I said raise your hand if you find Spanish interesting and then raise your hand if you find Spanish boring 😜.

I then talked about what were overall favorite/least favorite subjects etc. I was also able to ask a lot of comparison questions such as which class is more boring, Math or Spanish? and what is the most/least boring/interesting class?

This emerged organically out of me asking Justin ¿cómo son las matemáticas: interesantes o aburridas? during opening routine. You could make this waaaaay more interesting: who’s the most/least _____ celebrity? You could survey class members and (treading with emotional care), find out what 4-6 kids like, whether they like ____ etc.

The basic system is, value judgements go across the top (eg good idea or bad idea, fun or boring, useful or pointless). Things being evaluated go down the side (eg swimming with shoes on, doing hwk in the bathtub, etc).

Picturetalk Plus Survey is another fun thing. Today Abdullah drew this:

So we Picturetalked talked this dragon. Then, we did a survey: if you had your own dragon, what would you do with it? Here is what the 1s came up with.

ANYWAY…I hope you can use and enjoy these zero-prep activities.  Got any more ideas? Email me or leave a comment.

How To Teach Clothing (etc) Vocabulary

Must you teach clothing, colours and verbs like “it looks good on” and “wears”? If so, read on.  If not, don’t bother: according to Wiktionary, there are very few clothing and colour words in the top 1000 most-used words in most languages.

The easiest way to teach clothing etc vocabulary is the very old-fashioned Who Is It? game, which is very easy.

1. Find and project an image/get the class artist to draw a guy and a girl wearing the relevant clothing. Label these and let the kids look at these. As always, we must make sure input is comprehensible. No point in guessing!
2. I would have a colour poster somewhere in the room. Here is a picture of mine:

3. Divide the class into 2-5 groups. Get a scorekeeper.

4. Tell them I am going to describe someone in the room. When you figure out who it is, hand up (no blurting) and if you can say “You are describing _____” and you egt it right, your team gets a point. 

5. Describe anybody at random: Class, this guy is wearing pink track pants, a pair of blue glasses, and a purse.  Who am I describing?

6. First kid to put their hand up and say you are describing ____ correctly, their team gets a point.

7. You can include any clothing words you have taught, physical description words e.g. this girl is medium height and has blond hair and possessions (especially class in-jokes e.g. this girl owns three Ferraris and is wearing a green dress).

8. Include yourself occasionally to throw them off heh heh 😉

9. You can also use negative statements e.g. this girl is not wearing a dress.  She does not have long hair etc.

Another great option: describe two kids at the same time. This will get kids thinking and comparing, and your input kicks into plurals:  Class, these guys are wearing sneakers and red shorts.  Class, these girls are wearing tights and white T-shirts.  Best of all, describe both a guy and a girl: class, these two/three/ they are wearing jeans and black T-shirts.

10. If you’re in a school where ppl wear uniforms, project 2-4 pictures on the board of kids the same age as your students. You can describe either a student or a young person in the picture. Students have to think, is Profe/a talking about one of us, or the picture(s)?

11. Another option if you are in a uniform school is to simply project 2-4 (interesting!) pictures of people wearing the clothes you want to describe, and then Picturetalk them.

12. The best idea of all in uniform schools: get some students to take photos of themselves wearing whatever you want to talk about.  They send you those, you project them, and you picturetalk them. They will be very interested in talking about and seeing themselves and their friends. You can also include a baby or high-school photo of yourself (giggles)…and poof! past-tense practice: I used to wear…when it rained, I would wear…I looked good in…., but I didn’t look good in…

Here is someone you know, aged 9. dressed in Hallowe’en finery:

If I were going to describe this person, I would say things such as is this a boy or a girl? Is she wearing pants or a skirt?  That’s right, she is wearing a skirt. Class, is she wearing sneakers or heels? That’s right: she is not wearing heels. [to a girl in class] Mandeep, I don’t wear heels. Do you wear heels? [to class] Class, is the girl beautiful or hideous? That’s right, class: she is very beautiful.  Class, is she wearing a blouse? etc.

Anyway, there you go: now you have a zero-prep, fun and easy way to teach clothing (and to review anything else).

How Do I Teach Family Vocabulary?

A nice normal family ❤️❤️

One of the first questions I was asked in any conversation in India was kya aapake bache hain? (“do you have children?”) and, pre-stepfatherhood, I quickly learned to say mujhe koee bache nahin hai. This happens anywhere.

Now, although family vocabulary is relatively low-frequency, it is still a reauired part of most curricula, and it’s useful for travelers. So, today’s question: how do I teach family vocabulary?

As with any vocabulary “topic,” family words are best taught contextually— in stories— a word at a time. In C.I., we will simply give each character a relative, and then ask them questions about that relative (and add a different relative per story). However, if you must teach this vocabulary in a “unit” by Nov 27th because your Headz and Adminz think Languagez can be learned on strict Timelinez, this is how you do it.

What we’re going to do is build a famly tree on the board/OH/document camera. We will include some kids from class, plus the famous people they choose, and we are going to make it as wacky as possible.

So we ask for a volunteer— say, Jameel— and we ask him who’s your brother? Jameel can use his actual brother, or another kid in class, or someone famous, eg Kobe Bryant. Then, we ask about, say his Dad. Jameel or another student can answer the question who is Jameel’s father?

We will keep going, and then we might get this:

Now, note the labeling. The arrows’ directionality indicates the relationship. In Spanish, we can’t say “Jameel’s brother.” We have to say “the brother of Jameel,” so the arrow points and is labeled the way it is.

Once we have eight or ten people in our family tree, we are going to Q&A the crap out of it. For beginners, the questions will be things like

• who is _______’s sister?

• how old is _____’s aunt?

• is ____ Jameel’s brother or boyfriend?

• how many wives does Señor Stolz have?

For more advanced students (those acquiring lower-frequency grammar), questions (thanks Carol Gaab) will include things like

• who would you like your brother to be?

• if Barack had another kid, how many aunts would Michelle have?

The idea is to generate something student focused, and to provide input (via questions) about people’s relationships, ages, pets, possessions and really anything else you can fit into your picture.

If we want to talk about age, we will have something like this:

This is also a great bail-out activity for dead stories or a time-filler. Kids always remember these: “Sr Stolz, Manmeet was Trey Songz’s girlfriend not his sister!” etc.

Basically, we are inventing and and then Picturetalking a family tree. REMEMBER THIS ABOVE ALL ELSE: this is not an “output activity.” Kids supply details, but 95% of talk is the teacher asking y/n or e/o questions and making statements. We do this to deliver comprehensible input.

VARIATIONS

1. If we/class don’t like wacky, we can do this á la Bryce Hedstrom’s persona especial and just ask a kid straight-up factual questions about their family. This often works because there’s always someone interesting in any family, and because, well, we are always curious about others. Doing this– if your kids are cool with it, and nice about it– will also build classroom community.

2. The “famous family” is a great hook. For this, we just draw a family tree of the Simpsons, Griffins, Star Wars characters etc. Kids will find this quite compelling and will argue details.

3. If we are doing a novel– especially a simple one like my own Berto y sus Buenos Amigos or the more advanced El Nuevo Houdini— we just make a family tree based on the novel.

Anyway. Easy and fun– enjoy!

New Idea? Novel Re-telling

I teach English, Social Justice and Philosophy as well as Spanish.  In English, we start every class with silent reading, and I usually read a kids’ novel.

The other day, as we were doing our “what did you do yesterday?” part of our opening routine, I said “last night, I was reading a book” and a kid asked “which book?”

I’m reading The Unlikely Hero of Room 13B (in English) and so I held it up and said “I’m reading this.”  A kid asked in English “what happens?” and I narrated Chapter One in Spanish, in story listening mode (i.e. I drew some pictures on the board, and some lines, and words):

There is a boy named Adam.  He is 14.  He has a Mom, a dad and a half-brother.  His parents are divorced.  He likes playing videogames and reading. He also has O.C.D.  He goes to a therapy group.  One day in his therapy group, a girl walks in.  Her name is Robyn.  She has dark hair and dark eyes, and she is beautiful. Adam falls in love with Robin. But there is a problem: she is older! And Adam does not think she likes him!

Now, this is massively simplified vocabulary– these are Spanish 1s after about 60 hrs of input– but I am able to get the main points across.

So basically, what I did was this:

1. I narrated the story one sentence at a time.
2. I left out extraneous detail, words I didn’t know in Spanish, and anything that would clutter the narrative.
3. I drew simple pictures of the main characters on the board (and a few pictures of other things in the story). As per Beniko Mason’s ideas, this slowed me down and made the language more comprehensible for kids.
4. I did a few convos in exaggerated voices.
5. I left the kids at a cliffhanger chapter ending.

Today, I narrated Chapter Two. The kids are pretty into it.  Basically, all I have to do is narrate a chapter a day (adding some wacky-voice dialogue) and boom! I have a good ten minutes of C.I. per class.  On Monday, I’m gonna review Ch1 and 2 in past tense, and I’m gonna narrate Ch3 in present tense.  Stay tuned!

Tech Done Wrong…and Right.

“Techmology,” as Ali G. says, “is everywhere,” and we feel forced to use it.  E-learning! i-Tech! Online portfoli-oli-olios! Quizkamodo!  Boogle!  Anyway, the litmus test for tech in the language classroom is the same as it is for anything else:  does it deliver compelling, vocab-restricted comprehensible input?

Today, a look at two ways to play with tech.

Here is a recent #langchat tweet from a new-waveish language teacher:
What’s the problem here?

1.  As Alfie Kohn has noted, using rewards to encourage ____ behaviour turns teaching & learning into a payment & reward system: kids buy a pizza by doing ____.  But we really want to get kids to acquire languages because the process itself is interesting.  If we have to pizza-bribe kids, we are doing something wrong.

2.  The kids get a pizza party…during class time? Is this a good way to deliver the target language to kids? What about the kids who don’t write une carte?  Do they not get to be part of the pizza party?  Do they sit there and do worksheets or CPAs or whatever while their peers gleefully yap in English, chat and cram junk food into their mouths?  What if kids are good at French, but can’t be bothered to write “une carte”?  What if they are working, or lack digital access?

3.  Output, as the research shows, does not improve acquisition…unless it provokes a TON of target-language response which meets all the following criteria:

• it’s comprehensible
• it’s quality and not student-made (ie impoverished)
• it actually gets read/listened to

So if the teacher responds, and if the student reads/listens to the response…it might help.

4. Workload.  Kids don’t benefit from creating output.  The teacher also has to spend time wading through bad voicemails, tweets and what have you.  Do you want to spend another 30 minutes/day looking at well-intentioned– though bad– “homework” that doesn’t do much good?

5. What do kids do when they compete?  They try to win.  So the kid who really wants pizza is going to do the simplest easiest thing in French every day just so s/he can get the pizza.

 

Now, while the “tweet/talk for pizza” idea is a non-starter, there are much better uses for tech out here…here is one, from powerhouse Spanish teacher Meredith McDonald White.

The Señora uses every tech platform I’ve ever heard of, among them Snapchat (a free smartphone app).  You get it, make a user profile, and add people à la Facebook. Once people “follow” you, you can exchange images and short video with text added, and you can do hilarious things with images (eg face swap, add extra eyeballs, etc).

Her idea is simple and awesome:

1. She sends her followers (students) a sentence from a story or from PQA.
2. The kids create or find an image for which the sentence becomes a caption.
3. They send her the captioned image.
4. She uses these by projecting them and then doing Picturetalk about them.

You can also do the same thing with a meme generator program (loads free online):  write sentence on the board, kids copy, and they email you their captioned pics.

Here is a crude example:

1. Teacher sends out/writes on board a line from a story, e.g. La chica tiene un gran problema (the girl has a big problem).
2. Kids use sentence as a caption & send back to teacher, e.g.

3.  This serves for Picturetalk:  Is there a girl/boy?  Does she have a problem?  What problem?  What is her hair like?  Is she happy?  Why is she unhappy?  Where is she?  What is her name? etc…there are a hundred questions you can ask about this.

Not all the kids will chat/email back, and not all images will work, but over a few months they should all come up with some cool stuff.  You can get them illustrating stories (4-6 images) using memes…

This is excellent practice (for outside class). Why?  Because the kids are

• getting quality comprehensible input
• personalising the input without having to make or process junky language
• building a community of their own ideas/images
• generating kid-interesting stuff which becomes an in-class platform for generating more comprehensible input

And– equally as importantly– the teacher can read these things in like 3 seconds each, and they are fun to read.  #eduwin, or what?

Here’s a few examples done by Meredith and her kids.

 

Language Teaching Memes

Bill VanPatten started it…but nothing seems to be stopping it: science-based visual soundbites.

From Grant Boulanger, Chris Stolz, Robert Harrel, Julie Thompson, Kelly Ferguson, Justin Slocum Bailey, and more (let me know who I am missing).

Paper Airplane Translation

This awesome, simple, zero-prep activity came to me via Martina Bex, from Jason Fritze originally, and was recommended by Victoria B.C. teacher Martha McKay. It was fun, physical and a great way to get through another reading of the story.

(Edits are at the bottom of this page)

If you have tried it, or changed anything, I would love to hear  about it. This is a post-story activity.  I.e., you have already asked a story, and your students have read the story (or a similar version of it), and they understand it. This is not for introducing new vocab. The story should be say 25-30 sentences so the kids have to actually read more than they write.

You have to use a story for this, as the whole thing depends on reading, predicting meaning, confirming meaning etc (order is essential).

1. Divide students into teams of two.  They make a “portmanteau name” for their group.  E.g. if their names are Simrowdy and El Chapo, they become SimChapo or El Sim.
2. Put half the teams on one side of the room, and half on the other.  There should be a no-go zone in the middle.
3. Each group needs one printed copy of the story, one sheet of paper, and one pen or     pencil.
4. Each team picks one sentence from anywhere in the story.
5. Each team translates that sentence into English, writes it onto the sheet of paper, and then writes their portmanteau name.
6. Each team then makes their sheet into a simple paper airplane, and throws it across the no-go zone to the other side.
7. Each team picks up one airplane, unfolds it, and reads the sentence written there.
8. They figure out what it means.  Then, they have to find it in the target language in the story.
9. Each team then picks another sentence that comes  within 1-3 sentences after the one they have just read, translates into English, writes it down, signs their group name, and throws across the no-go zone.
10. If an airplane doesn’t make it across the no-go zone, the throwers have to retrieve it by picking it up…but they cannot use their hands, heh heh, and then they throw it again.
11. If the sentence they read is at the end of the story, they can make their next sentence the beginning.

The objective is to read and translate as much as possible.

I assessed (reading category) very simply.  I collected the airplanes after about 25 min.  There were 13 teams = 13 airplanes.  I got the kids to unfold the airplanes, we laid them out in a row, and I told each team to count the number of sentences they had written, and come and  tell me.  The differences between the speedy kids and the slower ones was not very great. E.g. Manta had 11 and Anbas had 9.  I probably won’t assess next time.

I don’t think you actually need to mark this if the kids are engaged (but I tell them I am going to because a few need the er-hem “focusing power” of the grade).  The kids liked it.  I figure this takes 20-30 min.

Some variation/additional ideas from other teachers: 

• write directions on board in target language
• put one person (start with teacher) in the middle of the room, all kids throw their airplane at the person, they they scramble to pick up a plane not theirs (Alina Filipescu’s idea)
• make them do one simple line drawing to go with each sentence (e.g. a stick man holding a stick dog– quick & easy)

 

What I would do differently next time.

1. I would make each pair of kids throw to the same set of kids.  E.g. Marya and Minali will be exchanging airplanes only with Hassan and Jaskarn. This will keep people more focused.
2. If the plane lands in the no-go zone, it has to be retrieved without using hands or feet.  heh heh
3. Make sure that the same sentence is not written twice on each airplane.
4. I would use TL vocab:  make, throw, pick up, write, airplane.

The Zen of Language Teaching

Here are your koans.  

If you want to successfully teach grammar, do not teach grammar.

If you want your students to talk, do not ask them to talk.

If you want your students to write well, do not make them practise writing.

If you want them to acquire more words, teach them fewer words.

If you want to make them fluent, do not try to make them fluent.

If you want your students to acquire a language, do not teach them about the language.

If you want your students to know the meanings of lists of words, do not give them lists of words.

If you want your students to spell properly, do not make them practise spelling.

Just because nothing appears to happening doesn’t mean nothing is actually happening.

Just because something is happening doesn’t mean anything is happening.

Don’t just say something– sit there!  

If you want your students to read, do not teach them how or what to read.

If you want your students to prepare for the unknown, make them comfortable with what they know.

A student without a language dictionary is like a fish without a bicycle (sorry, Gloria).

A language classroom with lists of words is like a phone book with stories.

In order to see exactly how much influence you have over the specific language your students acquire, lie in the grass and stare at the clouds. 

“If you want to build a ship, do not gather the men to collect wood, divide up the work, or give orders.  Teach them instead to yearn for the vast and infinite sea.”– Antoine de St. Exupery

As always, the ideas here are are grounded in research, and this one was inspired by Mandarin and S.L.A. guru Terry Waltz.

Two Kids Talk About Language Classes

Two of my students, Ace and Kavi, are in my English 11 class and I also have Ace in Spanish.  Both are very bright. Kavi takes French and Ace bailed out of French into Spanish. 

One day in June they were both in my room after school, finishing English projects, and they were talking about language class. 

Kavi: So you have Stolz for Spanish. How is it?

Ace: It’s easy. Just listen and read and you pick it up. I got an A both years. 

Kavi: French is hard. I can’t get an A. 

Ace: You’re not a dumbass. 

Me: Yeah, Kavi. You have good work habits. 

Kavi: Three things. They just keep adding rules.  So it keeps on getting harder to remember all the rules. It’s also confusing.  Part of the rules thing.  Also I get bored.  They make you talk about boring crap like buying groceries and they make you do these tests where it is all grammar. 

Now, I’m probably the worst T.P.R.S. teacher in the world. I mean, my dog could probably do TPRS as well as me.  So this is a beacon of hope for, well, all languages teachers: if I can pull of TPRS, anyone can.  I’m the dummest guyy in the roomm and I experienced success with this thanks to Blaine Ray. 

Go forth and try it, people, go forth. 

A Dictionary of Language Acquisition and Teaching Terms

For everyone who gets overwhelmed with jargon. Special thanks to Sam Johnson for the inspiration.

Accent: what every speaker of every language has.  The better ones *obviously* belong to people who are wealthier, whiter, more educated, with nicer clothes, etc.

Accountability: what teachers who provide boring or stupid activities need to make sure students do their work

Acquisition the process of getting to the point where you can speak/write a language without consciously thinking. The opposite of “learning;” what most textbooks don’t get students involved in.

Analytic teaching (Long): language presented “whole” and in context; focus on meaning with grammar focus second. a.k.a. “focus on form.”

Ashley Hastings: professor who developed the “narrative paraphrase” comprehensible-input technique of language teaching, which is now better known as Movietalk.

Authentic documents: things made by and for native speakers.  That they very often have

• low-frequency vocabulary
• complex idiom
• and are therefore neither comprehensible nor useful in a languages classroom

has not stopped the A.C.T.F.L., most State education departments, every Canadian Ministry, etc, from advocating their use.

Autotelic: interesting for its own sake, and not merely suffered through for some future payoff.  The only way to design a language class that will ever reach a majority of students, who will not be quaffing espresso on on the Champs Elysee or dining on tapas in Barcelona, and who therefore have little “real world payoff” incentive to care about their language class experience.

Avancemos: the world’s most ironically-named textbook.

Ben Slavic: French teacher, book author, blogger & passionate advocate for language pedagogy’s reform.  Creator or at least namer of “the Invisibles” and advocate for “untargeted input.”

Blaine Ray American Spanish teacher who developed T.P.R.S. after experiencing failure and frustration with communicative and grammar teaching, and then reading Asher and Krashen.  Properly understood as the Einstein of language pedagogy.

Carol Gaab: Spanish teacher, TPRS teacher trainer, writer, force of nature, novel & textbook author and publisher, San Francisco Giants language coach, grandmother (in alleged age, not appearance), butt-kicker. Has the highest force-to-height ratio in the comprehensible input Universe.

C.E.F.R.: the Common European Framework for Reference in language proficiency.  A scale that ranks one’s language skill from one to six, thus:

A1: You suck but hey, you’re trying to order coffee

A2:  Don’t get any ideas now, even though you can tell somebody you’re from ‘Murrica.

B1: You are approaching un-‘Murricanhood by actually being able to say three things in French

B2: Ok, fine, you are making progress, but not enough to flirt with sexy French people

C1: We’ll let you in on a work visa

C2: Fine.  you’re here.  Now, let’s discuss Sartre.

 

Circling: technique developed by Blaine Ray (named by Susan Gross) where a teacher asks repetitive but varied questions using a target structure in order to repeat a vocab item many times.

Cloze exercise: 1. where people listen to something, and read along to a written version of that speaking, and fill in occasional blanks with what they hear.  2. a clever way for teachers to force students to listen to boring things

Cold Character Reading a technique developed by Terry Waltz to teach reading of ideographic (non-phonetically written) languages.

Communicative-experiential approach: 1. a language teaching method  which asks students to use language to bridge authentic communication gaps to obtain essential information as a way of acquiring the language. 2.  A progression from the audiolingual method. 3.   “The dogma of salvation-and-bliss through chatter” (Erik Gunnemark, who spoke 45 languages).

Communicative pair activity: 1. Learning activity where an information gap is bridged via target-language use, theoretically as a way of acquiring the target language. 2.  The blind leading the blind.  3.  Putting the cart before the horse, as speech is the result of acquisition, not its cause.

Comprehended input: (Terry Waltz) messages that the teacher has checked to make sure people understand.

Comprehensible input: messages in the target language (in reading or writing) that people understand.  Now considered the sine qua non of language acquisition by all researchers.

Comprehensible input hypothesis: the hypothesis that language (vocabulary, pragmatics, semantics, grammar etc) is acquired when learners receive comprehensible input– messages they understand– in the target language.  Research thus far has confirmed the hypothesis’ predictions, and assigned (at best) very minor roles to the role of grammar practice and learning, and output, in developing acquisition.

Culture: 1. anything speakers of another language collectively do which differs from the students’ customs.  2. Clothing, music, food and dress which make excellent colourful textbook pages, fun videos or Instagram accounts. 3. What teachers hope will spice up those ever-so-nutritious but oddly bland grammar exercises.  4. The future goal and real reason one learns a language: so that one faraway day, one can go and enjoy the culture that goes with the language being studied.  E.g. “Johnny, I know learning French verbs is…not your preference….but just imagine how amazing life will be in seven years, when you can go to France and sip wine on the Camps Elysees!”

Dialect: a language without an army

¡Díme!: the stupidest language text ever written.  In order to teach well, do the following:

a) see what ¡Díme! does
b) do the opposite

Drill: as bad an idea in the language classroom as in the Alaskan wilderness, and even less productive.

Edubabble: a scaffolded, self-reflected authentic C.E.F.R. and Common Core peer assessment collaboration which leverages coding genius hour codesign into project-based inquiry proficiency assessment tracked through Google hangouts and Edmodo accounts in order to start the conversation piece and moving forward to provide real-time feedback sociolinguistic competence metacognitive online anus accountability.

Embedded reading: a series of texts, the first of which is short and simple and contains the target vocabulary and structures being acquired.  The next two or three texts contain the same vocabulary, but add increasingly more dialogue, detail, etc. Invented (basically by accident) by Laurie Clarq and Michelle Whaley, embedded (a.k.a. “scaffolded”) reading provides low-stress buildup to reading complex texts, and lots of vocab repetition.

Feedback: something which teachers love giving, and students’ brains find impossible to use to acquire language.

Food cart/truck: when the crepe/taco/samosa truck comes to your school, and students get to “use the target language in culturally authentic communicative ways.”  A.K.A. kids text and chat in L1 for an hour and say/hear ten words in the target language.  Easy on students, and teacher, and a brilliant way to tick boxes while getting nothing done.

Free voluntary reading (FVR): allowing students to read what they want, with no assessment or “accountability” measures. A significant booster of language acquisition (in L1 and L2), and terrifier of control-freak teachers.

Frequency: how often a word is used in speech or writing.  High-frequency vocabulary items are more often used than low-frequency items, and form the basis of communication.  Good language teaching begins with the highest-frequency words.

Frequency list: rankings of words from most to less used.  The most-used word in Romance and Germanic languages is the definite article: der, el, le, il, the, etc.

Generative grammar: Chomsky’s explanation of how language works.  In response to B.F. Skinner’s behaviourist theory (we learn language because we want stuff; we get “rewarded” for “saying things properly”), generative grammar accounts for the fact that a language’s speaker can generate an infinite number of sentences with the language’s limited vocabulary, and that speakers are able to “figure out” grammar rules without having them explained (or even modeled).

Grammar 1. a set of rules describing how a language’s components interact 2. a tool useful for boring students and reinforcing teacher ego 3. In most of the world salient only in the learning of computer languages, but in too many places fed directly to students of living languages 4. A thing whose mastery– like speech– is the result, not the cause, of language acquisition 5. “Analyzing language is like dissecting a frog. Few people are interested and the frog dies.” — after E.B. White, via Dennis Doyle

Grammarian: someone who believes that explaining the parts will lead to speaking the whole

Green Bible: Ray and Seely’s “how to do T.P.R.S.” book Teaching Fluency Through T.P.R. Storytelling. Written at the suggestion of Susan Gross, who urged Ray to clarify his method and provide a reference for T.P.R.S. practitioners.

James Asher: American psychologist and the rediscoverer of T.P.R.— total physical response– where teachers speak and gesture, and students gesture, as a way of helping recall.

L1: a speaker’s first (native) language.  What they grew up hearing.

L2, L3 etc: a language learned in some kind instructional or immersion setting.

Language: a dialect with an army

Learning 1. Consciously manipulating language (vocab and grammar) to try to acquire it 2. What one can do with language when one has time to consciously think of vocab, rules, etc.

Lecture: the process whereby the notes of the teacher become the notes of the students without passing through the mind of either (Mencken).  See also “stiff meeting.”

Legacy method: (Waltz & Krashen) any older way of teaching language which does not align with modern research.  Legacy methods include drill, grammar translation, audiolingual etc, as well as individual aspects of practice which slow or do not aid acquisition, such as forcing students to talk, grammar worksheets, multiple-guess listening activities, and what Long calls “synthetic” teaching (present, practice & produce) etc.

Mental representation: (VanPatten) a set of brain patterns developed when comprehensible input is processed by Noam Chomsky’s “language acquisition device,” patterns which allow for first comprehension and then production of language, and a “gut level” awareness of what works or doesn’t in that language.

Monitor: 1. the “voice in the head” which is consciously aware of grammar rules, word meanings, etc.  2. What grammar teaching reaches 3. What a competent speaker of a language does not use except under very specific, reflective and/or time-available conditions.

Myth: 1. a belief, ungrounded in science or history, with alleged explanatory power whose job is to legitimise something.  In language teaching, prominent myths include speaking leading to acquisition, grammar practice being necessary, grammar rules being brain-friendly, themes and topics being effective means for vocabulary organisation, etc. 2. a story which despite factual challenges holds power.  S.L.A. researcher Bill VanPatten writes that “[s]ome of the myths perpetuated in language departments include that

• explicitly teaching grammar and vocabulary is necessary or even beneficial,
• correction of learner output is necessary
• practice makes perfect,
• learners acquire rules and paradigms
• learning vocabulary and grammar is a prerequisite to learning to communicate
• first-language transfer is the source of all learning problems,
• adults learn languages differently from children, among many, many others.”

Natural method: comprehensible input language teaching method (and book of the same name) developed by Stephen Krashen and Tracy Terrell in early 1990s.  Influenced Blaine Ray’s T.P.R.S.

Noam Chomsky: 1. The man who invented modern linguistics, largely on the basis of his theory of generative grammar, which explains how the brain’s “language acquisition device” processes linguistic input, infers language-specific rules therefrom, and can use a limited number of rules and vocabulary items to generate an infinite number of sentences.  2. A relentless, fact-focused and principled critic of U.S. power 3. One of the only scientists to have an experimental animal– Nim Chimpsky– named after him.

Noun: a thing in uhh language

Output: any meaningful production of the target language.  The result, not the cause, of acquisition. The Holy Grail of language teaching.

Parallel character: having another character in an asked story whose experiences are roughly similar to the main character’s. Basically an excuse to recycle vocabulary.

Peer-to-peer communication: 1. getting learners to use the language with each other to share ideas and information 2. “The McDonalds of language teaching” (Waltz, Krashen)

Pop-up (a.k.a. “grammar commercial”– Adriana Ramírez): a brief, non-boring in-context explanation of the meaning of a grammar item (e.g. “Class, in Spanish, the -ó or ió end on that word means he or she did it in the past”)

Poverty of stimulus argument: Chomsky’s point that despite not seeing certain kinds of word combinations, language acquirers do in fact “figure out” the rules for using these words, and do not make certain kinds of errors.  One of the main supports in the Universal Grammar theory.

Practice: what helps basketball players and rock climbers, and what in a language classroom only works if it involves processing input.

Proficiency: a word that means whatever you want it to.  For example, being able to list five rooms and five furniture items in a house is, in one well-known Spanish teacher’s view, an example of proficiency.

Results: what matters in language teaching.  The best results will be characterised by fluent, quick, unedited and voluminous output generated by unstressed students who do not have access to books, dictionaries, etc when writing or speaking.

Rule:  something books and teachers love to explain but by which students oddly enough are unable thereby to learn.

P.Q.A.: (personalised questions and answers): using targeted vocabulary to generate student-teacher microconversations in ways that connect vocabulary to students’ experiences.  In T.P.R.S., PQA basically involves the teacher asking students the questions asked of the actors, and “running with” answers– true or invented– which interest the student.

Scaffolding: edubabble for “start with something students know, then guide them from there through something they don’t.”

Sheltered grammar: not using all grammatical devices or rules from the target language during teaching or in the reading.  A characteristic of legacy method teaching.  Most textbooks “shelter” grammar by introducing first one verb tense, then another, etc.  Sheltering grammar comes from the mistaken idea that languages are organised into skill sets that can be acquired one at a time.

Sir Ken Robinson: University type, whose never having taught in an actual primary or secondary classroom (or having developed a useful method of any kind) uniquely qualifies him to discuss teaching in primary and secondary classrooms.

Slosher (Waltz): a student who has been exposed to enough grammar rules and vocab lists that isolated fragments of language slosh around uselessly in his/her head.

Sociocultural communicative competence: 1. edubabble for “discretion is the better part of valor,” a.k.a. knowing what to say and not say in a different culture and language. 2. The lack of which is the source of Borat’s humour. 3. arguably the least important thing a teacher of languages should focus on.

Speedwrite (a.k.a. “Timed write”).  1.  a writing assignment done with a time limit and no access to notes, dictionaries etc.  The aim is to show what students have unconsciously and automatically acquired, as opposed to learned, by not giving them enough time to plan or reflect on writing. 2. Where students who have had loads of good comprehensible input shine, and grammar/”communicatively”-taught kids freak out.

Standardised test: 1. a way of fairly and impartially assessing how well ALL animals, including fish, giraffes, snakes and Samoyed dogs– and not just monkeys– can climb trees.  2. A way for educational testing companies to get approximately $500,000,000 per year from U.S. taxpayers. 3. A very effective way of ensuring that only what can be measured with numbers is taught.

Stiff meeting: a monthly, Admin-organised chance to catch up on email, own the crap out of Level 49 in Candy Crush Saga, or do some marking.  Verbal irony, people– nobody actually ever does any of these things in meetings.

Stephen D. Krashen U.C.L.A. researcher who developed (and found much of the evidence for) the comprehensible input hypothesis.  Also an expert on the effects of free voluntary reading, a relentless critic of standardised testing in the U.S., major caffeine addict and a former champion weightlifter.

Story: 1. the world’s oldest teaching method 2. a narrated set of events where one or more characters faces a significant challenge and/or conflict which s/he must overcome and/or resolve. 3. the easiest and most enjoyable way to present vocabulary in a new language

Storyasking: the process of story narration and acting, where the teacher supplies the language, and the students the acting and story details.  Also called narrative co-creation. Invented by Blaine Ray.

Strong interface position: the view (DeKeyser) that explicit grammar teaching (e.g. explanations) aids acquisition.

Synthetic teaching: (Long) the “present, practice and produce” model of language teaching, a.k.a. “focus on forms.”  Exemplified by the ¡Díme! Spanish texts.  A discredited legacy method.

Teacher: a lazy, expensive, liberal and Unionized waste of space which would in an ideal world be replaced with a combination of iPads, multiple-guess tests, Bible sermons, worksheets and Khan Academy videos.

Terry Waltz: 1. Mandarin teacher, PhD, presenter, speaker of 13 languages, TPRS in Chinese “how-to” book author, and professional translator 2. The funniest person in the comprehensible input universe 3. someone whose statements will be at least three of the following:  empirically true, funny, thoughtful, applicable

Textbook: 1. An excellent source of corporate profits 2. A great way to physically raise a computer monitor or prop up a desk 3. A poor source of both compelling comprehensible input and brain-friendly activities.  4. “This is not something to be tossed aside lightly. It should be thrown away with great force.” –Geoff Jordan, after Dorothy Parker.

Thinking: 1. deliberate mental activity which does not help anyone learn a language. 2. What textbook publishers do only when designing textbook marketing.

T.P.R.S. “Teaching Proficiency through Reading and Storytelling”– Blaine Ray’s comprehensible input language teaching method which emphasises collaborative narratives, input, and reading fiction over grammar practice, output and reading informational text. Known by green-with-envy detractors as Twitching Purple Reptile Stories.

Universal grammar: what Chomsky describes as built-in “software” that allows the brain to receive linguistic input and “build” a mental representation– automatic functional knowledge– of language.  Evidence for the U.G.’s existence is the formation of mental representation in a predictable set of patterns across ;languages.

Unsheltered grammar: using all the grammatical rules, devices, etc that belong to a language when teaching it and in the readings provided to students.  Many comprehensible input methods teachers use unsheltered grammar either immediately or soon after beginning instruction.

Vocabulary list: what textbooks insist that students memorise, and which brain research says they can’t.

Verb: another thing, err, uhhh, from the language

Weak interface position: the view (Krashen, VanPatten) that grammar explanations beyond clarifying meaning do not aid acquisition.

Weighing the pig: short for “weighing the pig won’t make it fatter,” i.e. testing students does nothing to develop their language abilities.  This fact has had very little

Worksheet:

1. Grammar or vocab learning tool that doesn’t help people who don’t understand, and which is unnecessary for those who do

2. What textbook publishers fill low-cost, high-margin student workbooks with

3. What friends don’t let friends hand out

4. The Novocaine of the language teaching profession.

5. A superb way of bringing 19th century ideas into the 21st century classroom.